The Candid Frame: A Photography Podcast

When photographers Ken Browar and Deborah Ory first began collaborating on what would become NYC Dance Project, they set out to create portraits that could honor the athleticism, artistry, and emotional force of dance. Their work has since become synonymous with a style of portraiture that is both elegant and explosive—capturing dancers in motion with a precision that reveals not only physical mastery, but also vulnerability, discipline, and grace. Over the years, their lens has been turned toward some of the world's most accomplished performers, translating movement into still images that pulse with life. That vision continues in their new book, Martha Graham Dance Company at 100, which celebrates one of the most influential institutions in modern dance. Through striking portraits and carefully sequenced images, the book honors the legacy of Martha Graham's groundbreaking choreography while foregrounding the contemporary artists who continue to embody and reinterpret that tradition. Rather than simply docume

When photographer Stephanie Pommez began documenting the lives of traditional midwives in the Amazon, she was drawn by a desire to understand how communities shape meaning through ritual, labor, and shared belief. Over several years, she traveled through river-dweller communities, photographing women who serve not only as caretakers and healers, but as guardians of local culture. What began as a documentary exploration of daily life gradually opened onto something more expansive—an encounter with the oral traditions and myths that run alongside the visible world. That long engagement evolved into The Enchanted Ones, a lyrical and haunting project inspired by the stories of the encantados—mythical shapeshifting beings said to inhabit the rivers and forests of the Amazon. Shot in 35mm black and white, the book moves beyond conventional documentary, embracing ambiguity, atmosphere, and the porous boundary between reality and imagination. Rather than illustrating folklore from a distance, Pommez creates a visual

When photographer Tawny Chatmon creates a portrait, she is doing more than arranging light and subject—she is reconstructing history. Drawing from classical European painting traditions while centering contemporary Black subjects, her work reclaims visual space that has long excluded them. Through layered textures, gold leaf, and painterly surfaces, Tawny creates images that feel both timeless and urgently present. Her portraits challenge the conventions of representation, placing children and families within compositions that evoke Renaissance and Baroque aesthetics while subverting their historical omissions. Rather than treating her subjects as symbols, she honors their individuality, dignity, and complexity. The result is work that feels intimate yet monumental—a visual meditation on legacy, visibility, and the power of self-definition. Resources Tawny Chatmon https://www.tawnychatmon.com Altadena Photographers https://www.altadenaphotographers.org/ Workshops & Upcoming Education with Ibarionex Perell

When photographer Jamey Price first turned his lens toward motorsports, he wasn't simply chasing speed—he was chasing feeling. The roar of engines, the blur of motion, the choreography of pit crews and drivers—all of it became raw material for a visual language that balances technical precision with emotional intensity. His photographs don't just freeze high-performance machines; they capture the atmosphere, tension, and spectacle that define global racing culture. That pursuit culminates in his new book, Racing Unfiltered, a signed and numbered edition that brings readers closer to the visceral reality of professional racing. Created entirely with branded disposable cameras, the images possess a raw, unpredictable character—grainy, imperfect, and immediate—offering a distinctive look far removed from the polished precision of modern digital capture. Rather than presenting only carefully crafted highlight moments, the work embraces spontaneity and constraint, revealing the grit behind the glamour: the prepara

When photographer Danielle L. Goldstein and editor–writer Caroline Goldstein came together to create Transience, the result was a collaboration rooted in restraint, trust, and attentiveness. The book occupies the in-between—those fleeting, unresolved moments that resist easy interpretation. Danielle's photographs do not insist on meaning; instead, they invite the viewer into a space of quiet observation, where tenderness and uncertainty are allowed to coexist. Caroline Goldstein's editorial sequencing and text deepen that experience without attempting to fix it in place. Her words don't explain the images so much as they echo them, creating room for resonance rather than resolution. Together, image and text form a subtle meditation on impermanence—on how time moves through bodies, relationships, and places, leaving behind traces that are felt more than seen. Transience is a reminder that photography doesn't need to be declarative to be powerful; sometimes its greatest strength lies in suggestion, subtlety, an

When photographer Amani Willett turns his attention to American life, he does so with a quiet precision that reveals both its poetry and its contradictions. Working primarily in black and white, Amani's photographs explore themes of history, memory, race, and belonging—often focusing on overlooked spaces and moments that carry deep cultural resonance. His work invites viewers to slow down and consider how the past lingers in the present, shaping both personal and collective identity. That approach has defined a career rooted in long-term observation and thoughtful storytelling. Whether photographing landscapes marked by historical trauma or everyday scenes charged with social meaning, Amani resists easy narratives. Instead, he creates photographs that ask questions rather than offer answers—encouraging reflection on what it means to inhabit America now, and how photography can serve as a tool for inquiry, witness, and understanding. Resources: Amani Willett https://www.amaniwillett.com Altadena Photographers

*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id= "3c4ecdd6-9259-4699-a20e-6f62c749d2b8" data-testid= "conversation-turn-12" data-scroll-anchor="false" data-turn= "assistant"> *]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id= "d14385bd-93ee-414e-8a58-a6609ae6aa09" data-testid= "conversation-turn-16" data-scroll-anchor="true" data-turn= "assistant"> When photographer David Walter Banks began turning his lens toward the spaces where power, faith, and ideology take physical form, he set out to explore more than architecture. His photographs examine how belief systems—political, religious, and cultural—shape the built environment and, in turn, influence how we move

*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id= "30b1bb61-f703-4f69-b4ee-3fabc600f4a9" data-testid= "conversation-turn-8" data-scroll-anchor="false" data-turn= "assistant"> *]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id= "3c4ecdd6-9259-4699-a20e-6f62c749d2b8" data-testid= "conversation-turn-12" data-scroll-anchor="true" data-turn= "assistant"> When photographer Ben Geier first began making images, it was his Midwest upbringing and a fascination with abandoned places that set him on a path of visual discovery. Over the past decade, Ben's work has led him across the United States in search of once-vibrant theatres, roadside restaurants, neon signs, motels, and

When photographer Martyn Goddard began documenting the emerging punk and new wave scene in London during the late 1970s, he was capturing more than a musical movement—he was photographing a cultural revolution. His lens found its way to some of the most influential bands of the era, none more iconic than Blondie. His candid, stylish, and energetic photographs reveal the band's magnetic presence both on and off stage, chronicling the rise of Debbie Harry and her bandmates at a moment when music, fashion, and attitude collided. That work is now celebrated in his new book, Blondie: In Camera, a visual time capsule that immerses readers in the band's world during their formative years. More than nostalgia, the book reflects Goddard's ability to balance artistry and access—creating images that feel as intimate as they are electric. Through his photographs, he reminds us why Blondie's aesthetic and spirit continue to resonate decades later, defining an era when photography and music were inseparable forces of style

When photographer and educator Mark Comon talks about photography, his passion is unmistakable. As the owner of Paul's Photo in Torrance, California, and founder of the Creative Photo Academy, Mark has spent decades helping photographers at every level discover their creative potential. Through economic downturns, digital revolutions, and even the pandemic, he has kept Paul's Photo thriving—one of the rare family-owned camera stores to endure and grow in an industry transformed by change. Mark's philosophy is rooted in community and education. He believes that photography flourishes when people learn, share, and make images together. Whether teaching composition, lighting, or visual storytelling, he focuses on empowering others to connect with their subjects and themselves. His enduring dedication to the photographic community has made Paul's Photo and Creative Photo Academy not just places to buy gear, but true centers for inspiration and learning. Resources: Mark Comon Paul's Photo Creative Photo Academy Al

When photographer Frank Jackson first picked up a camera, he discovered more than a tool—he found a way to translate how he sees and feels the world. Known for his street photography and portraiture, Frank has built a career rooted in curiosity, observation, and a relentless drive to make work that is true to himself. His images often balance rawness and elegance, revealing moments that might otherwise pass unnoticed. For Frank, photography has always been about more than the subject in front of the lens. It’s about the challenge of pushing beyond comfort zones, whether in the streets of Los Angeles or in the studio, to create photographs that resonate on a personal and universal level. Rather than conforming to trends or expectations, Frank continues to pursue his own evolving vision—one that speaks to the dignity, humor, and mystery of everyday life. Resources: Frank Jackson Altadena Photographers Support Ibarionex & The Candid Frame Websites Sponsors Charcoal Book Club Frames Magazine Educati

When photographer Jonas Paurell set out to explore the relationship between humans and the natural world, he embraced a practice that moves fluidly between art, documentary, and environmental storytelling. His images are rooted in a deep engagement with place—whether remote mountain landscapes or fragile ecosystems—and they reflect both an aesthetic sensitivity and an ecological urgency. Jonas’s work doesn’t simply document the environment; it raises questions about belonging, responsibility, and how our presence shapes the land we inhabit. That journey has led to long-term projects that blend collaboration with communities, careful observation, and a visual language that feels both timeless and immediate. Rather than leaning on spectacle, Jonas turns toward intimacy—capturing the quiet tension and beauty that emerge when people and nature meet. The result is a body of work that challenges us to reconsider not only how we see the world but how we live within it. Resources: Jonas Paurell Altadena Photographer

When photographer Dimitri Staszewski began his Close to the Bayou project, he was drawn to the layered and deeply personal relationship between people and place in southern Louisiana. His photographs explore the impact of land loss, environmental change, and cultural resilience, capturing stories that exist at the intersection of identity, heritage, and survival. Rather than portraying the region solely through the lens of crisis, Dimitri embraces its complexity—revealing beauty, strength, and an ongoing dialogue between past and present. At its heart, the story also reflects an intimate exploration of mortality, acknowledging how lives and traditions are shaped by both loss and continuity. His work asks us to consider how landscapes shape lives and how photography can honor both fragility and endurance. Close to the Bayou is a testament to the power of visual storytelling to preserve memory and amplify voices in communities too often misrepresented or overlooked. Resources: Dimitri Staszewski Close to the B

When multi-media artist Javiera Estrada speaks about her work, it’s not just about aesthetics or technique—it’s about transformation. Born in Acapulco, Mexico and raised in the United States after emigrating in 1989, Estrada brings a rich cultural memory of vibrant color, ritual, and mysticism into everything she creates. Whether working with photography, photograms, textiles, or mixed media, her art bridges the seen and unseen—merging earthly material with spiritual inquiry. Her work doesn’t divide the physical and metaphysical, the beautiful and the chaotic—it unifies them. Philosophically, Estrada rejects the idea of separation. Artistically, she explores this through layered, immersive processes that slow time and call her deeper into presence. From sculptural explorations of the female body in communion with nature, to cosmic fields of ink and color that evoke the prima materia of existence, her pieces are meditations on unity, consciousness, and becoming. Estrada describes her process as both frenzied a

When photographer Justin Black first picked up a camera, he was drawn not just to the art of image-making but to the power of photography as a tool for exploration, conservation, and connection. Over the years, that passion has evolved into a remarkable career that bridges fine art, environmental advocacy, and education. As a co-founder of Visionary Wild and former executive director of the International League of Conservation Photographers, Justin has helped shape how we think about the relationship between photography and the natural world. In our conversation, we explore Justin’s journey from working alongside legendary photographer Galen Rowell to leading transformative workshops in some of the world’s most extraordinary landscapes. Through his work, Justin invites others not just to see more clearly—but to care more deeply. Resources: Justin Black Visionary Wild International League of Conservation Photographers Support Ibarionex & The Candid Frame Websites Sponsors Charcoal Book Club Fram

When filmmaker Ilie Mitaru first discovered Serbest Salih’s Instagram feed, he was struck by the power of the photographs—vivid, intimate images made by children from displaced and marginalized communities across Turkey. These weren’t typical snapshots. They revealed a bold visual instinct and emotional clarity that defied the children’s limited experience behind the camera. Ilie saw not just compelling photographs, but a powerful story of self-expression—one that urgently needed telling. That story became First Frames, a film that shifts focus away from trauma and instead highlights the playful, curious, and complex inner lives of its young image-makers. Rather than treating the children as passive subjects, Ilie embraced their perspective—amplifying their imaginations and voices. The result is a vibrant, deeply human portrait told through the children’s own lenses, reminding us that some of the most resonant stories come from those who are so often overlooked. Resources: Ilie Mitaru First Frames Film Serb

Jasmine Benjamin, a California native, embodies the laid-back spirit of Northern California where she was born and the dynamic energy of Hollywood, where her work thrives. With a career spanning 17 plus years as a stylist, consultant, and creative director, she has established herself as a key figure in culture. Her latest project, CITY OF ANGELS: “A book about L.A. style”, is her first coffee table book, capturing the essence of contemporary LA style through 120 plus portraits of local luminaries. Set for release in Spring 2025 by Italian publisher Damiani, the book showcases Jasmine’s talent as a photographer, creative director and curator. Jasmine’s career began while she was studying at the Fashion Institute of Design & Merchandising (FIDM) in Los Angeles. In 2002, she turned an internship at Interscope Records into an opportunity to shape the visual identity of the label’s artists. In 2005, she styled her first influential indie band, J*Davey, before moving to New York City in 2007, where she immerse

Matthew Finley (b. 1972) uses his photography to express himself and connect to the world around him. With a variety of photography processes, he explores intimate emotions through gesture and line to communicate his experience. Growing up queer in an unaccepting environment, Finley felt apart from the world around him. Now, as an adult working through anxiety, the studio is a safe space to create where he can be vulnerable and express his true self. Creating and exhibiting his work is a way to forge relationships with viewers and help those who see themselves reflected in it to feel less alone. Finding inspiration in classic art and statuary, he addresses modern issues such as his coming out story, intimate relationships, and finding peace in our tumultuous world. Based in Los Angeles, Finley’s work has shown in solo and group shows in multiple galleries across the U.S. Most recently, his work was on the walls of the esteemed Fahey/Klein Gallery in Los Angeles with the likes of Herb Ritts and Herbert In 2024

Founder and Publisher Daniel Power started powerHouse Books in 1995, and was joined by Craig Cohen in 1996. The early years had Power and Cohen tag-teaming on a few books at a time, raising the bar each season when, in 1998, PowerHouse Books had its first best-seller, Women Before 10 A.M. by Véronique Vial. Power and Cohen followed up on that success in 1999 with the critically acclaimed cult monographs X-Ray by François Nars and Life is Paradise by Francesco Clemente and Vincent Katz. In 2000, Cohen became a partner in the company, assuming the title of Vice President and Associate Publisher, serving as Executive Publisher between 2008 and 2019. He quickly signed up for the next company bestseller, Back in the Days by Jamel Shabazz, and in the same year, he developed a packaging deal with Capitol Records to produce the Beastie Boys Anthology: The Sounds of Science. With the publishing program growing rapidly, Power and Cohen hired Sara Rosen, who served as Publicity Director from 2000 to 2009. Since then, th

Jeffery Saddoris is not only a talented artist, writer, and podcaster but a friend. A repeat guest of the podcast, we have enjoyed wonderful conversations about what it means to lead a creative life. What started as a technical test of my new podcast set-up turned into another wonderful conversation. We discussed recent events in my life and where we stand in our creative lives. Most importantly, this episode marks our return to regular production with new episodes of great conversations with and about photographers. Thank you for your kindness, support, and patience over the past three months. Resources: Jeffery Saddoris Support Ibarionex & The Candid Frame Websites Photo Workshops & Webinars Breaking Out of a Rut: Tips for Creating Breakthroughs in Your Photography Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Clic