New Books In Literature

Holes splices forms of fiction and nonfiction. The narrator, a researcher of limits at an unidentified university, figures her entanglement with an unobtainable love object as the descent into a black hole. Everything she reads seems to shed light on the non-events that comprise their relationship, and study collapses into life as she struggles to separate events and forms, reality and ideation. Holes is a study in thematic fixation, engaging a range of ‘obsessional artists’ (including Yayoi Kusama, from whom the term is borrowed, Lee Bontecou, and Carolee Schneemann) for whom holes—as idea, imagery, philosophy—have proved evocative, inviting, and occasionally obliterative. In this NBN interview, Holes is exlored and discussed as an experimental biography of holes. Hilary White is a writer and researcher, currently an IRC postdoc at Maynooth University, Ireland, working on a project entitled Forms of Sleep. She co-ran the experimental poetry reading and commission series, No Matter, in Manchester, and co-edit

Eliza Chan’s debut novel Fathomfolk (Orbit, 2024) takes place in the semi-submerged city of Tiankawi, where humans and fathomfolk - a collection of peoples including sirens, seawitches, kelpies, and kappas - navigate an increasingly tense political situation. The novel follows half-siren Mira, the recently promoted captain of the border guard and Nami, a young exiled royal from a neighboring city as they push for political change and grapple with the city’s growing violence and social unrest. In this interview, Chan discusses setting-as-character and the depiction of pollution and climate catastrophe in fantasy. She describes her love of folklore, the importance of depicting supportive male partners, and the role of class and poverty in the book. We also chat about creating fictional diseases and the role of motherhood in the novel. Fathomfolk is a unique and imaginative story and it was a joy to discuss it with the author. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by bec

In Ryan Kenedy’s debut novel, The Blameless (University of Wisconsin Press 2023 ) we meet Virginia, an exhausted adjunct professor and divorced mother of an autistic five-year-old, whose father only takes him for one weekend a month. Virginia is lonely and struggling to make a living as an adjunct professor of English. When she learns that the man who murdered her father has been released from prison despite a life sentence, she decides to confront him and mete out his just punishment. She traces Travis Hilliard to a remote place in the Mojave Desert. He’s inherited his uncle’s trailer on an isolated strip of land and is trying to rebuild his life outside of prison. Because Virginia doesn’t have anyone to care for her little boy, she brings him along for the confrontation. Ryan Kenedy was born and raised in the working-class neighborhoods of California's Central Valley. He holds an MFA in fiction writing from California State University, Fresno, and has taught writing and literature for over twenty-five years

Inspired by Virgil’s exquisitely ambivalent phrase “sunt lacrimae rerum” (there are tears of/for/in things), Andriy Sodomora, the Ukrainian “voice” of classical antiquity, has produced a series of original vignettes and essays about things: the big things in our lives (like happiness, loneliness, and aging); the small things we do or see daily, rarely paying attention to them (like a tree’s shadow or the kernels on an ear of corn); and the things (i.e., objects) to which we form connections. The selected stories presented here are the first English translations of Sodomora’s profoundly intellectual and intertextual prose. Through his nostalgic memories and recollections, Sodomora takes readers on a journey through western Ukraine, as well as through world literature, from ancient Greece and Rome to the poetry of Paul Verlaine and Federico García Lorca. The Tears and Smiles of Things: Stories, Sketches, Meditations (Academic Studies Press, 2024) has been published with the support of the Translate Ukraine Tran

Today I talked to Gretchen Felker-Martin about Cuckoo (Tor Nightfire, 2024). From Gretchen Felker-Martin, the acclaimed author of Manhunt, comes a vicious new novel about a group of teens who must stay true to themselves while in a conversion camp from hell. Something evil is buried deep in the desert. It wants your body. It wears your skin. In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived--but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy. Written between April 2012 and November 2013, Tree Spirits Grass Spirits (Nightboat Books, 2023) adopts a non-linear narrative flow that mimics the growth of plants, and can be read as a companion piece to Ito's beloved poem "Wild Grass on the Riverbank". Rather than the vertiginously violent poetics of the latter, Tree Spirits Grass Spirits serves as what we might call a phyto-autobiography: a recounting of one's life through the logic of flora. Ito's graciously potent and philosophical prose examines immigration, language, gender, care work, and death, all through her close (indeed, at times obsessive) attention to plant life. For a better understanding of this collection and the author, the following books are recommended by translator Dr. Jon Pitt: Hiromi Ito - Wild Grass on the Riverbank Hiromi Ito - The Thorn Puller Robin Wall Kimmerer - B

Ukraine, 2007. Yefim Shulman, husband, grandfather and war veteran, was beloved by his family and his coworkers. But in the days after his death, his widow Nina finds a letter to the KGB in his briefcase. Yefim had a lifelong secret, and his confession forces them to reassess the man they thought they knew and the country he had defended. In 1941, Yefim is a young artillerist on the border between the Soviet Union and Germany, eager to defend his country and his large Jewish family against Hitler's forces. But surviving the war requires sacrifices Yefim never imagined-and even when the war ends, his fight isn't over. He must conceal his choices from the KGB and from his family. Spanning seven decades between World War II and the current Russia-Ukraine conflict, Your Presence Is Mandatory (Bloomsbury, 2024) traces the effect Yefim's coverup had on the lives of Nina, their two children and grandchildren. In the process, Sasha Vasilyuk shines a light on one family caught between two totalitarian regimes, and the

Danielle Amir Jackson is a Memphis-born writer and critic, and the editor-in-chief of the Oxford American. Her work has appeared in the New York Times, Vulture, Bookforum, Lapham’s Quarterly, the Criterion Collection, and elsewhere. Honey’s Grill: Sex, Freedom, and Women of the Blues, her first book, is forthcoming from Farrar, Straus, and Giroux. Originally based in Oxford, Mississippi, hence its name, Oxford American is both a literary and general interest magazine intent on honoring the cultural wealth of the South. Four writings are discussed, beginning with “What If It All Burned Down?” by Katrina Andy, which as its title suggests, is loaded with questions about the largest slave revolt in U.S. history. It happens at the Andry Plantation north of New Orleans, in the aftermath of the successful Haitian Revolution. Two other writings involve music: there’s “How to Take It Slow” by Lauren Du Graf and “Coming Up Fancy” by Jewly Hight. The first portrays Shirley Horn, emphasizing her unique singing and piano

Although Katie Kitamura feels free when she writes—free from the “soup of everyday life,” from the political realities that weigh upon her, and even at times from the limits of her own thinking—she is keenly aware of the unfreedoms her novels explore. Katie, author of the award-winning Intimacies (2021), talks with critic Alexander Manshel about the darker corners of the human psyche and the inescapable contours of history that shape her fiction. Alexander and Katie explore how she brings these tensions to “the space of interpretation, where the book exists” and places trust in her readers to dwell there thoughtfully. They also discuss the influence of absent men (including Henry James), love triangles, love stories, long books, and titles (hint: someone close to Katie says all her novels could be called Complicity). Stay tuned for Katie’s answer to the signature question, which takes listeners from to the farmlands of Avonlea to the mean streets of Chicago. Mentioned in this episode By Katie Kitamura: Intim

Anthony Valerio's novel Confessions of an Aspiring Pornographer (Grailing Press, 2024) tells the story of Walter Michael Gregory. Call him Wally.  Walter Michael Gregory is a literary rogue peddling his prose and amours around 1970s Manhattan. He talks like Frank Sinatra sings, he writes truly, he is a lover par excellence, and he will charm you with his bawdy confessions. Raised in Brooklyn by mobsters and his doting mother, Wally recounts his idyllic childhood and how he came to be such an amorous soul. Now stepping into life as a young man about town, he establishes himself in the Greenwich Village literary scene and sets out to find work, any work, in the publishing industry. What he finds is the heady rush of hobknobbing with the greats and the tough truths of working for a living. Forced to live off his literary wits, Wally finds interesting work as a copy editor, encyclopedia writer, and literary pornographer. If he can dodge lovers, hunger, meteors, and a lurking bengal tiger of his own imagining, he

In this evocative, insightful memoir, a leading voice in Middle Eastern Studies revisits his childhood in war-torn Lebanon and his family’s fascinating history, coming to terms with trauma and desire. Water on Fire: A Memoir of War (Other Press, 2024) tells a story of immigration that starts in a Beirut devastated by the Lebanese Civil War (1975–90), continues with experiences of displacement in Europe and Africa, moves to northeastern American towns battered by lake-effect snow and economic woes, and ends in New York City on 9/11. A story of loss, but also of evolution, it models a kind of resilience inflected with humor, daring, and irreverence. Alternating between his perspective as a child and as an adult, Tarek El-Ariss explores how we live with trauma, poignantly illustrating the profound impact of war on our perception of the world, our fears and longings. His memoir is at once historical and universal, intellectual and introspective, the outcome of a long and painful process of excavation that reveals

Inspired by the legends of Amazon women warriors told by ancient Greek historian Herodotus and evidenced by recent archaeological discoveries in Central Asia, Akmaral (Regal House Publishing, 2024) is the latest historical fiction novel by author Judith Lindbergh. Through the story of its eponymous main character, a nomadic warrior woman living in the Central Asian steppe in the 5th century BCE, Akmaral vividly brings to life the histories, cultures, and lifestyles of the ancient Sauromatae. In this episode, Judith joins me to talk about the Sauromatae, conducting historical research as a fiction writer, and what contemporary readers can learn about our current world through stories of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A stunning debut collection of fiction and creative nonfiction-- irreverent and unglorified; loving and tender; uncomfortable and inconvenient--by a Ukrainian writer currently fighting for his country in Kyiv. Includes the celebrated title story "The Ukraine," which was published in the New Yorker in 2022. The Ukraine (Seven Stories Press, 2024; translated by Zenia Tompkins) is a collection of 26 pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. In the title story, Chapeye facetiously plays with the English misuse of the article "the" in reference to Ukraine, capturing a country as perceived from the outside, by foreigners. That pseudo-kitsch, often historically shallow, and not-quite-real Ukraine resonates because of its highly engaging and brutally candid snapshots of ordinary lives and typic

Stella St. Vincent, a thirty-something copy editor in 1980s New York, has survived a relationship with her mother, Celia, so complicated that even the words “my daughter” give Stella pause. Celia lived life to the fullest, reinventing herself and discarding anything that no longer pleased her, including Stella’s father, whom Celia refused even to name. And when Stella rebelled by becoming the exact opposite of her mother—disciplined, buttoned-down, reliant on schedules to guarantee safety—Celia did her best to push her daughter out of that comfort zone before distancing herself from Stella as well. So the bequest in Celia’s will is no accident: Stella inherits $8,000, a ticket to Paris, and instructions to spend all the money before returning home. Stella resists until her employer forces her to take a leave of absence. Even then, Stella spends weeks in Paris scheduling every meal and sightseeing tour—until a strange shopkeeper intent on selling a beautiful dress designed by Yves St. Laurent sends Stella on a

Today’s book is: The Things We Didn’t Know (Gallery Books, 2024), by Dr. Elba Iris Pérez’s. A cross-cultural coming-of-age story, The Things We Didn’t Know is inspired by the author’s own experiences growing up between Woronoco, Massachusetts, and Puerto Rico. It explores Andrea Rodríguez’s childhood between Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture, and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. An evocative portrait of ano

In Greg Sarris' book The Forgetters (Heyday Books, 2024), Answer Woman, a crow, cannot come up with a story until she is asked by Question Woman, her sister. But they both want to remember those who forgot the stories – because only by retelling the stories can they learn lessons of the past. From the time before creation to the near future, Answer Woman knows stories about clouds and sky, people who might be animals, storytelling contests of the past, and lessons learned from mistakes. Greg Sarris’s creation stories represent age old Coast Miwok and Southern Pomo Native American storytelling traditions, whose goals are to comfort and inspire while understand human frailty and striving. Greg Sarris is an accomplished author, university professor, and tribal leader serving his sixteenth term as Chairman of the Federated Indians of Graton Rancheria. He is the current board chair of the Smithsonian’s National Museum of the American Indian. In 1992, he co-authored the Graton Rancheria Restoration Act which restor

Written by iconic Egyptian novelist Ihsan Abdel Kouddous, this classic of love, desire, and family breakdown smashed through taboos when first published in Arabic and continues to captivate audiences today It is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man. This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab. A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiq

“We’re not monsters, Mom. We’re goddesses—smart, fearless, and beautiful.” That’s the voice of Ava, the superpowered protagonist of Katherine Marsh’s captivating novel for children, Medusa (Clarion Books, 2024). Our discussion focuses on Marsh’s feminist retelling of the Medusa myth—and on the wider topic of the direction of children’s literature at a time when it has become a challenge to pull any child (or adult) away from the siren of social media. Marsh recognizes the challenges but remains optimistic that children’s literature, which has always drawn heavily on the eternal allure of myths, has a vibrant future. Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024). Learn more about your ad choices. Visit megaphon

In the summer of 1976, an earthquake swallows up the city of Tangshan, China. Among the hundreds of thousands of people scrambling for survival is a mother who makes an agonising decision that irrevocably changes her life and the lives of her children. In that devastating split second, her seven-year-old daughter, Xiaodeng, is separated from her brother and the mother she loves and trusts. All Xiaodeng remembers of the fateful morning is betrayal. Thirty years later, Xiaodeng is an acclaimed writer living in Canada with a caring husband and daughter. However, her newfound fame and success do little to cover the deep wounds that disrupt her life, time and again, and edge her toward a breaking point. Xiaodeng realises the only path toward healing is to return to Tangshan, find her mother, and get closure. Spanning three decades of the emotional and cultural aftershocks of disaster, Zhang Ling’s intimate epic Aftershock (Amazon Crossing, 2024) explores the damage of guilt, the healing pull of family, and the hop

Rachel Greenlaw's debut young adult romantasy, Compass and Blade (Inkyard Press, 2024) is filled with sirens and mysterious magic, swoony romance and cutthroat betrayal. This world of sea and storm runs deep with bargains and blood. On the remote isle of Rosevear, Mira, like her mother before her, is a wrecker, one of the seven on the rope who swim out to shipwrecks to plunder them. Mira's job is to rescue survivors, if there are any. After all, she never feels the cold of the frigid ocean waters and the waves seem to sing to her soul. But the people of Rosevear never admit the truth: that they set the beacons themselves to lure ships into the rocks. When the Council watch lays a trap to put an end to the wrecking, they arrest Mira's father. Desperate to save him from the noose, Mira strikes a deal with an enigmatic wreck survivor guarding layers of secrets behind his captivating eyes, and sets off to find something her mother has left her, a family secret buried deep in the sea. With just nine days to find w