Spectator Books

With Geoff Dyer, one of our most wayward and wittiest writers, about his new book Broadsword Calling Danny Boy, a frame-by-frame discussion of the classic war movie Where Eagles Dare. Learn from Geoff about the importance of squinting in Clint Eastwood’s thespian toolbox, about the joy of snow-patrol Action Man, about why he shied away from plans for "Alistair MacLean: A Critical Reappraisal", and about why on earth Geoff would follow a learned book about Tarkovsky’s Stalker with a discussion of a piece of late-60s schlock. Plus: what happens when you get on the wrong side of Julian Barnes. Presented by Sam Leith.

In this week's books podcast Sam talks to Ben Schott. The author of Schott's Miscellany, Ben's literary productions have taken an unexpected turn with the publication this week of his first novel. Jeeves and the King of Clubs is a tribute or companion piece to P G Wodehouse's Jeeves and Wooster novels, published with the authorisation of the Wodehouse estate. What the hell was he thinking? Ben comes clean -- and also talks about the joys of nerdiness, the difficulty of living up to Plum, and the Spectator's role in the whole story. Presented by Sam Leith.

Sam Leith talks to the behavioural geneticist Robert Plomin about his new book Blueprint: How DNA Makes Us Who We Are, in which he argues that it’s not only height and weight and skin colour that are heritable, but intelligence, TV-watching habits and likelihood of getting divorced. They talk about the risks he takes publishing this book, the political third rail of race and eugenics, and what his discoveries mean for the future of our data and for medical care. You can read Kathryn Paige Harden’s review of Blueprint, meanwhile, in this week’s magazine. Presented by Sam Leith.

Sam talks to the incomparable Sara Paretsky about her latest V. I. Warshawski novel Shell Game — which pits the original feminist gumshoe against art thieves, Russian mobsters and her fink of an ex-husband. They talk about keeping Vic young (skincare doesn’t come into it), chiming with MeToo and immigration anxieties in Trump’s America, whether she feels rivalrous with other female crime writers, spotting her own writerly tics, and making friends with Obama. Presented by Sam Leith.

In this week's books podcast, Sam talks to Andrew Roberts in front of an audience about his new biography on Winston Churchill. It charts the leader's powerful sense of personal destiny, his ambition and bravery as a soldier and a leader. The book interprets the events that defined Churchill, from the Dardanelles disaster of 1915, his years in the political wilderness, and his summoning to save his country in 1940\. Sam and Andrew discuss Churchill's belief that he was 'walking with destiny', his prophesies of European disaster in the 1930s, as well as his drinking habits, the racist charges against him, and his singular ability to deliver some of the most memorable speeches of the 20th century. Presented by Sam Leith at Daunt Books, Marylebone.

Political scientist William Davies talks to Sam Leith about his new book Nervous States: How Feeling Took Over The World. Here’s a deep dive into the parlous condition of our public discourse, drawing the line from Descartes and Hobbes to Trump and Generation Snowflake. Can speech be a form of violence? Will argues that our instincts on that may be wrong…

In this week's Spectator Books podcast, Sam Leith is talking to Adam Sisman about More Dashing -- his new selection from the remarkable correspondence of one of the 20th-century's most celebrated adventurers, spongers and men of letters, Paddy Leigh-Fermor. What did Paddy really feel about his most famous act of derring-do, when he kidnapped a Nazi general in occupied Crete? What really went on in his unconventional marriage? And were -- as Adam Sisman contends -- his letters really at the heart rather than the periphery of his literary achievement?

In this week’s books podcast, Sam talks to the former head honcho of the National Gallery and British Museum, Neil MacGregor, about his new book Living With The Gods: On Beliefs and Peoples. Neil tells the story of the world’s religions through objects — beginning with a 40,000-year-old carving that might be the first human representation of an entirely imaginary object. What do religions have in common? How do you represent icon-averse creeds through physical objects? Why should there be an evolutionary advantage in engaging with the intangible or imaginary? And what does the history of religion tell us about the common threads of humanity? Presented by Sam Leith.

In this week’s books podcast Sam talks to Helen Parr about her remarkable new book Our Boys: The Story of A Paratrooper, which blends memoir, social history and military history to tell the story of the paratroopers who fought in the Falklands War and what happened when they came home — or, as in the case of Parr’s 19-year-old uncle, didn’t. Helen talks about what civilians can and can’t know of the experience of men who kill and risk death in combat, about the history of the paratroop regiment, and the sea-change in Britain’s relationship with its serving soldiers and its veterans that took place from the 1980s onwards. Presented by Sam Leith.

In this week’s books podcast, Sam talks to Sebastian Faulks about his brilliant new novel Paris Echo, which describes the twined stories of a Moroccan teenager and an American academic in the French capital – and the way that the ghosts of the past, from the Occupation to the decolonisation of North Africa, still play out in the present. Sam and Sebastian talk about whether writing from the point of view of a 19-year-old Moroccan means he’s going to be chucked in the Lionel Shriver High Security Prison for “cultural appropriation”, whether Paris Echo is an excursion into Magic Realism, how his serious literary novels coexist with his writing James Bond or Jeeves and Wooster — and about this book’s very unusual dedicatee… Presented by Sam Leith.

In this week’s books podcast, Sam Leith talks to Sir Ian Kershaw about his new book Rollercoaster: Europe 1950-2017\. Here from one of our most distinguished historians, is a history of Europe that goes from the postwar period right up to the present. Is he aiming at a moving target? How can you meaningfully speak about “Europe” as one thing when for much of the period under discussion half of it was behind the iron curtain? Were the machinations of powerful individuals, or sheer chance, the great drivers of our history? And how was the raising of the Berlin Wall — from some perspectives — a good thing?

How are the subprime collapse in the US and the Eurozone crisis that came after linked? Why did a cartel of mega-wealthy businessmen do a good job at rescuing the US from disaster, and a group of well-intentioned political technocrats make such a hash of it in Europe? And how is the Balance of Financial Terror between the US and China holding up these days? Adam Tooze, author of 'Crashed: How A Decade of Financial Crises Changed The World', joins Sam Leith

Among the biggest surprises of this year’s Man Booker Prize longlist was the inclusion, for the first time in the prize’s 50-year history, of a “graphic novel”. Nick Drnaso’s Sabrina — a chillingly claustrophobic account of the aftermath of a murder in post-truth America — is undoubtedly a brilliant example of its form. But does a comic belong in contention for a fiction prize? Sam didn’t think so (and wrote as much in the FT. In this week’s Books Podcast the Man Booker Prize’s Literary Director, Gaby Wood, argues otherwise — and raises in the process the possibility that, one day, the Man Booker prize could be won by a book that doesn’t contain any words at all.  Presented by Sam Leith.

In this summer rewind, Sam Leith talks to the journalist and historian Simon Heffer, originally released in October 2017. He is the author of the magisterial The Age of Decadence: Britain 1880-1914\. The second part in his trilogy of books about the Victorian and Edwardian ages, it works to explode the myth that the pre-war years were an endless Merchant Ivory Summer’s afternoon. They talk about imperial decline, savage industrial unrest and aristocratic complacency… and how one writes a history of the years before 1914 without talking about the roots of the First World War.

In this summer rewind, hear Sam Leith talk to Times columnist and former speechwriter for Tony Blair, Philip Collins, originally released last October. His book When They Go Low, We Go High is a fascinating look at political oratory from Pericles to (Michelle) Obama, and a vigorous argument for politics itself as a bulwark against the false promises of populism. We talk about what it was like writing for Blair, the greatest speech he wrote that was never delivered, how a speechwriter can trick a Prime Minister into announcing a policy he didn’t expect to announce – and why he’s proud to be a “Centrist Dad”. Presented by Sam Leith.

Adam Smith is the most quoted and misquoted economist of all time. Sam Leith talks to Jesse Norman, author of the new Adam Smith: What He Thought and Why It Matters (reviewed in last week’s Spectator by Simon Heffer). Norman argues that we can only understand Smith in the round by reading his Theory of Moral Sentiments as well as the Wealth of Nations; and by putting him in the context of the Scottish Enlightenment and the thinkers such as Hume who surrounded and influenced him. But he also says that a proper appreciation of Smith’s thought has relevance for us right to the present day. And he even ventures a thought on what the Sage of Kirkcaldy would have made of Brexit. Presented by Sam Leith.

In this week’s Spectator Books, Sam talks to a man who has spent more time on Air Force One than even Piers Morgan: President Obama’s former foreign policy speechwriter and deputy national security adviser Ben Rhodes, author of new memoir The World As It Is: Inside the Obama White House.  What is it really like writing speeches for Obama — and when did the President insist on writing his own words? How did Obama really greet the election of Donald Trump, away from the public magnanimity? And why is the Presidential plane, actually, a bit 1980s? Presented by Sam Leith.

This week’s episode sees Sam Leith joined by Margo Jefferson, author of 'On Michael Jackson' and the memoir Negroland, to moonwalk back to the glory days of Michael Jackson. Jackson was one of the central figures in pop culture, but what was it that made him so captivating? And can his artistic legacy ever be disentangled from the gruesome murk of the last years?

Sam talks to the distinguished scholar of Japanese literature Jay Rubin, editor of the new Penguin Book of Japanese Short Stories.  Many of us in the West know little of Japanese literature beyond, perhaps, Haruki Murakami, Yukio Mishima and perhaps Banana Yoshimoto and Kenzaburo Oe. Jay fills in the blanks. Did you know the Japanese novel got going centuries before Don Quixote? That Japanese novelists were producing pitiless self-portraits decades before Knausgaard's voguish 'auto-fictions'? All this, plus the story of Japanese women's writing and the place of manga in the culture. Produced by Connor O'Hara.

This week’s episode is a family affair: Sam talks to the children’s writer and illustrator Judith Kerr (Mog The Forgetful Cat; When Hitler Stole Pink Rabbit; and The Tiger Who Came To Tea), and her son the novelist and historian Matthew Kneale, author of English Passengers and Sweet Thames, and most recently, Rome: A History in Seven Sackings. They talk about fiction and nonfiction, hereditary writers, whether what we’re seeing now answers the definition of fascism — and the bit that Judith’s publisher wanted taken out of The Tiger Who Came To Tea on the grounds of it "not being realistic”.