New Books In Communications

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully dra

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. T

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, s

In his acclaimed biography Eye on the Struggle: Ethel Payne, the First Lady of the Black Press (Amistad, Reprint Edition, 2017), James McGrath Morris explores the fascinating life of pioneering black female journalist Ethel Payne. Backed by exhaustive archival research, Morris traces Payne’s role in documenting the civil rights struggle during the decades following World War II, before her later impact as the first female African American radio and television commentator on a national network. The New York Times has described Eyes on the Struggle as an “an important and often absorbing new book,” while the Chicago Tribune has contended that Morris’ beautifully written and carefully researched new book “gives Payne’s ground-breaking work the attention it deserves.” Morris’ other books include Pulitzer: A Life in Politics, Print, and Power, which Booklist placed on its 2010 list of the ten best biographies, and The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journali

If all you knew about methamphetamines came from popular culture (“Breaking Bad”) or government anti-drug campaigns (“Faces of Meth”), then you’d probably think that the typical meth user was a unemployed, rail thin degenerate with bad acne, no teeth and a penchant for child abuse. In these depictions, all meth users are “tweekers,” that is, very bad people who are addicted to speed (here, meth) and who can’t take care of themselves or others. But it just ain’t so, as Travis Linnemann points out in his thought-provoking book Meth Wars: Police, Media, Power (NYU Press, 2016). The image we get from the media and the law enforcement of meth use is as cooked as Walter White’s meth. In actual fact, very few peoples use meth (even in “Methland,” aka the Midwest) and most of those who do are not dysfunctional “tweekers.” This is not to say that meth isn’t a problem; it is, just like cocaine, heroin, abused prescription medications, and, above all, alcohol. But it isn’t as different from these “normal” drugs as the

The BBC radio program “Caribbean Voices” aired for fifteen years and introduced writers like George Lamming, Louise Bennett, Sam Selvon and others to listeners on both sides of the Atlantic. Glyne Griffith’s The BBC and the Development of Anglophone Caribbean Literature, 1943-1958 (Palgrave MacMillan, 2016) is one of a few detailed studies of this program and the people and institutions that made it possible. Griffith makes important arguments about the combined force of letters, texts and broadcasts, and the ways they contributed to emerging nationalisms and territorial identities as the British Caribbean considered its postcolonial future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated wit

For the start of 2017, Dave Karpf is back on the podcast with his new book, Analytic Activism: Digital Listening and the New Political Strategy (Oxford University Press, 2016). Karpf is associate professor of media and public affairs at The George Washington University and author of The MoveOn Effect also published by Oxford. Much of the attention paid to digital politics is about speech. What did Donald Trump say on Twitter today? And who responded? Karpf’s book suggest that that attention has overlooked the other side of digital politics: listening. In Analytic Activism, Karpf focuses on how organizations use the digital footprints we all leave online to inform strategy. A/B testing and digital petitions allow political groups to hear what constituents care about and then later to use that information to mobilize and drive action. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharin

In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production

The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, re-reads the history of the BBC to offer a more problematic status for the corporation, as an adjunct of British state power. The book uses examples from the General Strike in Britain, through war and economics reporting, to the vetting of left wing political attitudes within the Corporation, to tell the story of an institution that has been misunderstood by both left and right wing critics. Moreover, the book provides a critique of the management and organisation reforms to the BBC, coupled with a class analysis, demonstrating the need for transformation to this important part of British society. At a time when the media is under intense scrutiny for its perceived failures in reporting and representing politics and economics, Mills’ analysis and prescriptions for reform make for essential reading. Learn more abou

Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing of Edith Maude Eaton (McGill-Queens University Press, 2016) is a collection of works–previously published and newly discovered–produced by Edith Eaton, the writer whose literary status seems to escape the limitations of definitions and categorizations. Sui Sin Far is one of the pseudonyms Eaton invented: this gesture can also be presented as an attempt to escape the limitations of, so to speak, one life. Through compiling Eaton’s diverse oeuvre, Mary Chapman, the editor of the collection, presents her vision of Eaton, initiating the reconsideration of the stereotypical reading of Eaton as the writer who was interested predominantly in the exploration of the themes connected with Chinese immigrants in Canada and in the US. The current edition includes four main parts that present the trajectory of Eaton’s writing: “Early Montreal Fiction, Poetry, and Literary Sketches (1888-1891)”;” Selected Early Journalism: Montreal (1890-1896)”; “Selected E

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit meg

Kathryn Kleppinger’s Branding the Beur Author: Minority Writing and the Media in France, 1983-2013 (Liverpool University Press, 2015) examines the “paradox of ethnic minority writing” in the work of multiple authors of North African descent over a thirty-year period. Organized chronologically as a series of portraits, the book’s chapters deal with the literary (and filmic) output of an impressive number of writers, including Mehdi Charef, Azouz Begag, Farida Belghoul, Soraya Nini, Samira Bellil, Rachid Djaidani,Faiza Guene, and Sabri Loutah. Considering literary works themselves, as well as the audio-visual media representation of texts and authors on French TV and radio, Kleppinger’s analysis pushes back against the tendency to understand “beur” literature in exclusively social and political terms at the expense of aesthetic or artistic readings. Drawing on a range of sources, from literature to television and radio archives, to interviews Kleppinger conducted with the authors themselves, the book weaves to

Now in its fifth printing of a very short life, Ashaki Jackson’s Surveillance examines the relationship between acts of violence, the witnessing of violence, the witnessing of the witnessing of violence, and the internalization of all three. Media offers no escape from trauma, instead it creates a cyclical nature where the traumatized are re-traumatized and forced to live out fear after dread after terror. Written over the course of 3 months, Surveillance stretches the far-reaching arms of community to tap into a universal empathy. The collection nearly demands that this empathy exists, almost calls it into being through faith and continued presence. After reading this collection, I thought of the Nikki Giovanni poem Allowables which ends with: I don’t think I’m allowed To kill something Because I am Frightened Our own fear can pull us away from this universal empathy and understanding. The hyper-anxiety mode we are placed in by media rendering of violence, social media proliferation of those renderi

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is

In his new book The Defender: How The Legendary Black Newspaper Changed America (Houghton Mifflin Harcourt, 2016), Ethan Michaeli charts the riveting history of the Chicago Defender, one of the nation’s longest running and most significant black periodicals. Founded in 1905 by publisher Robert S. Abbott, the Defender came to play a central role in regional and national black politics; drawing African Americans north to Chicago as part of the Great Migration out of the South, condemning Jim Crow and bolstering the electoral power of black America, and helping to secure the election of presidents such as Harry Truman, John F. Kennedy and Barack Obama. Relying on exhaustive research, including dozens of interviews and extensive archival material, Ethan has constructed the most in-depth and illuminating history of the Defender ever published – highlighting not only the impact of publisher Abbott and iconic columnists such as Ida B. Wells and Langston Hughes, but also the hundreds of other journalists and editor

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philade

I serve on a planning committee for the annual Holocaust Commemoration in Wichita, where I live and teach. Every year when we convene, we remind ourselves that we need to invite survivors to speak. With survivors aging, the time is quickly approaching when we will no longer be able to hear about their experiences firsthand. But of course this isn’t quite true. For more than a quarter century, organizations have devoted time, attention and resources to preserving the memories of survivors. In this way, those of us interested in hearing these stories–whether academic researchers or ‘ordinary’ people–can access the power and authenticity of survivor narratives through recorded video testimony. All of this is a good thing. But as Noah Shenker reminds us, the appearance of authenticity can distract us from the very real impact of the ways interviews are staged. Previous scholarship has alerted us to the need to consider the dynamics between the interviewer and interviewee in. In Reframing Holocaust Testimony (In

With the 2016 presidential election in full swing and rhetoric surrounding each candidate becoming more polarized, how does gender impact the way that people behave politically? Monika McDermott in her new book Masculinity, Femininity, and American Political Behavior (Oxford University Press, 2016) seeks to answer this question. In her analysis, McDermott argues that gendered personalities are a powerful determinant of political behavior and involvement. The campaigns of Hillary Clinton and Donald Trump also provide interesting insights into how the politics of gendered personalities are enacted in the contemporary political climate. Monika McDermott is currently an Associate Professor of Political Science at Fordham University as well as an election polling analyst for CBS News and The New York Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications