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On this episode, Sophia Freeman and Pamela C. are joined by Allison Hewitt-Ward, a New York Platypus member and art critic. They discuss the recent crack-up at the Whitney Museum of American Art, and the relationship between art and political protest. In the second segment, Sophia and Pam interview Goldsmiths University’s graduating Masters art students, Alexander Pierce, Lydia Blakeley, Fred Bungay, Paula Pinho Martins Nacif and Sara Rodrigues, about the relationship between art and freedom and if the censorship of art is ever justified. Feedback, criticism, and questions are always welcome. Drop us an e-mail at shitplatypussays@gmail.com. Links: “Art and the Commodity Form”, a Platypus panel at Goldsmiths, University of London (October 11, 2016). The panel brought together Rex Dunn, independent Marxist and writer; Zhoe Granger, a director of the gallery, project space, and art publisher, Arcadia Missa; and Peter Osborne, editor of the journal Radical Philosophy and professor of Modern European Philosop