Colin Bradley Art Cast

In this episode Colin gives us an update on his coloured pencil pictures. He talks about how he is trying to make coloured pencils more achievable to those starting out by keeping materials you need to a minimum and keeping the techniques straight-forward. Hear his progress and process of working with them in this week's podcast.

In this episode Colin gives an update on working with colouring pencils and how his approach is evolving. We talk about creating a method that is achievable for students wishing to do coloured pencil work. We also discuss drawing animal backgrounds and the variations you can do. Colin offers tips if the subject is in full view on the ground or just a head and shoulders portrait.

In this episode Colin updates us on his experience with using coloured pencils. He talks about the first picture that he has filmed for release and the combination of pan pastels and coloured pencils. We also discuss some tips that have been sent into us which he will be trying as well as combining watercolour with the pencils in future projects.

In this podcast we discuss a new venture Colin's exploring which we're really excited to talk about and hope you're as excited to see what it brings. Before this, we talk about what it was like doing the new range of greytone pictures and how far he's progressed since his first picture. Lastly, we discuss signing your pictures including what medium to use, where to sign and whether you should date your work.

In this episode we talk about the theory of choosing colours. Is it a natural gift to see a photograph and know the colours that you need? How can you develop this skill and what goes into picking the right colours? Colin discusses this and more in this week's episode.

In this episode Colin offers advice for creating a contrast with the background and a subject and how to overcome any areas where the subject may appear to blend in with the background. We also talk about printing out a sand coloured outline drawing onto white paper and if this would have the same effect as sand coloured pastel paper. Lastly, we talk about creating outlines and the process in which Colin goes through to create a basic outline for students.

In this episode Colin and Steve talk about doing your artwork in the evenings or early mornings and when is the most productive time for them. Colin discusses not tackling anything too tricky in the evening so you can leave your work at a good place. We also offer some tips and advice for our members including help with skies and choosing colours. Pictures referenced in the show: https://www.colinbradleyart.com/home/early-morning-or-late-night-podcast-250/

Through helping one of our students with her picture, Colin discusses finding contrast within a subject of the picture and also the components of the picture itself. How do you make the subjects 'pop'? How do you subdue the background and draw attention to the areas you want people to see? In this podcast Colin offers lots of great advice for students drawing from their own references. We also discuss how using a general white charcoal pencil and a double ended eraser can get you out of a tricky situation.

In this podcast we answer some of your questions and offer tips and advice on some of our members work. We talk about the importance of sharp pencils with zipping in whiskers, choosing colours for a dog and how changing one small part of a painting can affect the whole bias of the picture.See the pictures we discuss on this week's show on our website: https://www.colinbradleyart.com/home/about-us/latest-news/

In this episode we talk in depth about contrast and why this is such a challenging skill to learn using pastel pencils. We offer tips for improving the contrast in your pictures and exercises you can practice. Colin also discusses the intricacies behind achieving a likeness with your portraits and offers an update on a picture he's working on at the moment.

In this week's episode we answer more of your questions! Colin offers some advice for buying additional pencils to increase your range of colours. He discusses 4 pencils from Cretacolor, Caran d'Ache and STABILO which would be good first colours to purchase. We also talk about base colours and where to use the cool and warm greys in your picture. Lastly, we discuss trying to remove accidental fingerprints from your pictures - has this ever happened to you? Let us know!

In this podcast Colin talks about knowing when to stop working on a picture. This is something that he struggled with in the beginning. When do you stop working on a picture? How do you know when to finish? Colin talks about his experience. We also discuss mount sizes for A4 pictures and how much detail you should put into your outline drawings.

In this podcast Colin talks about the series of pictures he is doing where subjects are in shadow. He is magically using just 4 pastel pencils for these pictures and the results are outstanding. We also pass on a tip about using masking tape and suggest some common pastel stick colours which are good for those just getting started.See the pictures Colin's working on by visiting our instagram here: https://www.instagram.com/colinbradleyart

In this episode Colin talks about becoming looser with your approach and how working on realistic subjects provides a great foundation for moving into impressionism and specifically a looser watercolour approach. We also talk a little more about watercolour and how to stop your paper from buckling when it dries.

Colin's next project after Errol Flynn was to draw the beautiful Doris Day. Ever since he was a child he has adored Doris Day and this one was a real indulgence and pleasure for him to do. In this episode listen to the behind the scenes on creating this stunning portrait and be sure to check out the stages of this picture being completed over on our Facebook and Instagram pages:http://www.facebook.com/colin1940http://www.instagram.com/colinbradleyart

In this episode Colin talks about his latest picture of Errol Flynn. We posted updates on our Facebook and Instagram of each stage so that you could see how it was created and in this show Colin offers some insights into the challenges of bringing Errol to life on the page. To see the pictures visit our Facebook or Instagram:http://www.facebook.com/colin1940http://www.instagram.com/colinbradleyart

In this episode we talk about Colin's new demonstration piece - "The Scream" by Edvard Munch. You can get access to the demo FREE for a limited time only using the link below. ALL IN Members will also find the videos inside their membership area on the website.Colin also talks about the 2 new starter pack videos we've added - Broadstairs and the Daylight Beach Scene. You can find both subjects on our site and on Udemy as a bundle. Lastly, we discuss the new Errol Flynn portrait and the apprehension with approaching such a challenging and iconic subject. Keep your eyes peeled on our Facebook and Instagram to see the progress of this picture!Scream Demo links:Members login: http://bit.ly/cba-loginNon Members link: https://bit.ly/scream-demoNew Starter Pack links:Members login: http://bit.ly/cba-loginNon members link: https://bit.ly/individual-coursesEnrol on Udemy: https://bit.ly/9-pencil-landscapesSocial Media:Facebook: http://www.facebook.com/colin1940Instagram: http://www.instagram.com/colinbradleyart

In this episode we discuss working with tracedown carbons, both the graphite and white versions. When using a carbon do you need to go back over the drawing with a pencil? Colin shares his experience that gives him the best results when both working on light and dark papers.We also talk about the 3 new starter pack courses we've released as well as what Colin's working on next. Keep an eye on our Instagram to see photos of behind the scenes: http://www.instagram.com/colinbradleyart

In this podcast we talk about the new pictures Colin's been working on and specifically how he's composed the picture to draw the attention to the subject. He does this by changing the physical composition of the picture and also with the depth of field within the subject (blurring the background etc.). It's fascinating to hear how your attention can be directed when looking at a picture and Colin explains how he does this in this podcast.We hope you're all doing well and keeping safe. Our thoughts go out to all of you and hope that you're in a position to put pencil or paintbrush to paper and create.

In this episode we conclude our 3-part Q&A series with Business questions relating to art. We discuss the following:- What is the split of time like between creating art and dealing with the business side of things?- How does being an artist work out financially? (I'm not after figures!) Are there ebbs and flows? Has it changed over the decades? Have you ever been concerned about how it might work out? What do you know now that you didn't when you first started?- With a number of different revenue streams (e.g. commissions, prints, workshops etc), which is the most lucrative and is it what you most enjoy doing?- How do you price your work? - Have you had to alter your business model over the years?- Have you had to work hard at selling/marketing your work?- How do you find your clients? Do you target specific markets/types of people?- Do you have work in galleries? Is the cut they take from sold work worth the exposure it gains you?- Do you exhibit at trade shows/fayres? Is the fee for the space worth how